Showing posts with label Christine. Show all posts
Showing posts with label Christine. Show all posts

Wednesday, November 28, 2012

Book to Movie: Christine (1983)

Book to Movie: Christine (1983)
Screenplay by Bill Phillips
Directed by John Carpenter
Based on the novel, Christine, by Stephen King

Body by Plymouth. Soul by Satan


The biggest name in horror fiction combined talents with the biggest name in horror film making to bring us 1983’s Christine. While the movie does not represent the best work of either artist, it is an entertaining film worth the time invested in watching it.

In his screenplay, Phillips opens by introducing us to Christine as she rolls off a Detroit assembly line in 1958. The Plymouth Furies all around her are off white which is true to life since this was the only stock color available on the car in 1958. Christine stands out because she’s bright red (or Autumn Red as it’s called in the book and movie).

She moves down the assembly line, fully built. Inspectors look her over. The man charged with taking a final look at her power plant gets his fingers crushed when her hood mysteriously slams down on them. The man doing the interior inspection disrespects her by dropping cigar ashes on her interior. He’s strangled by a seat belt.

In the movie, the spirit of Roland LeBay is not the prime mover behind Christine's evil. She’s an evil Motown monster in her own right.

We flash forward to 1978. Dennis arrives to pick up Arnie Cunningham (played by Keith Gordon). Carpenter quickly and deftly develops Arnie as the consummate clumsy nerd in the opening scenes as he spills garbage all over the driveway and splashes back and forth through a mud puddle in indecision about what to do afterward.

In the book, the confrontation with Buddy Repperton is near the middle of the book and is transitional. In the movie, it appears in the first ten minutes and is defining. We know that he’s not only a clumsy geek. Arnie is a target for bullies as well. He’s the classic downtrodden kid we all knew in high school.

The movie then picks up on the book again when Arnie spots Christine as Dennis drives him home. It is not Roland LeBay from whom Arnie buys Christine. It’s his brother. Roland is dead, having died in the car as did his wife and daughter.

The conflicts with the parents moves forward just as in the book and Arnie takes his jalopy to Darnell’s Garage where he stores her.

Carpenter stays true to the chronology of events in the book and to the spirit of the book as the movie progresses. He does consolidate scenes and eliminates several others to make a cogent movie. Dennis is injured playing football as in the book. But in the movie, he is injured because he’s distracted at a key moment when he spies Arnie in the parking lot with the newly refurbished Christine. Also with him is the lovely Leigh Cabot (played by Alexandra Paul). They are kissing. Dennis has a moment of disbelief (having asked Leigh out himself and having been shot down). That disbelief disappears when he is knocked unconscious.

Arnie visits Dennis in the hospital and he’s obviously changed. The once greasy hair is now an interesting combination of a 1950s duck’s ass and a 1980s feathered do. His wearing a suave Members Only jacket and walks, talks, and acts with an air of confidence that borders on smug. Dennis, having been out of touch with things for so long, is struck by his friend’s transformation.

Christine is doing a little transforming of her own. She’s transforming Arnie’s tormenters into corpses. Carpenter and Phillips redraft King’s chase and death scenes to make them better cinema. Moochie is crushed against a wall and eventually cut in half as Christine makes her way down a narrow ally, ripping herself to pieces in the process. In another scene, she catches up with Repperton and a couple of his pals at the local filling station where they hang out. Christine sets the place – and herself – ablaze, killing them all. The scene of that Plymouth Fury making its way through the streets while covered in fire is awesome cinema.

When she gets back that night. She’s a scorched, burnt mess running on just a couple cylinders and four flat tires. As the car pulls into Darnell's Garage, Will Darnell looks on. He walks over to Christine and looks inside. Nobody is driving her. Intrigued (and spooked), Darnell climbs in to have a better look at Christine. As he gets inside, the radio turns on, blaring old fifties rock and roll and the seat slides forward. Darnell is crushed between the seat and the steering wheel.

Dennis gets out of the hospital and Leigh pays him a visit. She’s broken up with Arnie because of his Christine obsession. She recounts for Dennis how she almost choked to death at a drive in and how Christine locked her own doors to prevent Arnie from getting in to save her. They decide that Christine must die.

In the book, Dennis employed a tanker truck to do the job. In the movie, he uses a front end loader. They go to Darnell’s and wait for Christine to arrive. Leigh gets out to open the door and they are surprised. Christine is there waiting for them. The battle is on.

Leigh flees to Darnell’s office and Christine moves in for the attack. Dennis rams her from the side, but she’s not to be stopped. Christine slams into the office. Arnie Cunningham is catapulted through Christine’s windshield, impaled upon a piece of glass. He looks up at Leigh as he dies.

Dennis continues to ram Christine and she continually pushes out the dents and straightens her frame. Eventually, the front end loader’s size and power are too much. Dennis crushes Christine beyond her ability to fix herself.

The movie ends with Dennis, Leigh, and Detective Junkin looking on as a cube is dumped from a car masher. It’s obviously Christine, having met her end. Just as the credits start to roll, we hear groaning metal. Christine is trying to right herself once again.

Carpenter and Phillips streamlined what was a fairly complex story and in doing so, made it a good film. In the book, there is some ambiguity as to Christine’s true nature. Was she powered by the malevolent soul of the deceased Roland Lebay? Or was she a jealous lover? King’s clues point to both. In the movie, it’s all about the car. LeBay is a bit player.

Much of the book revolves around all the conflict in Arnie’s life. Arnie’s conflict with bullies, with his domineering parents, between Leigh and Christine, and with himself and his conscience. Most of that is eliminated as well. Carpenter streamlines the complex story into a monster movie and the monster is a 1958 Plymouth Fury.

In this case, simplifying is good. Yes, we are presented a movie with a linear plot and devoid of subplot. But monster movies – when well made – are fun and Christine is a fun movie. Not poignant like the book where Arnie is the tragic dupe of the evil spirit of Roland LeBay. No one is going to confuse it with high cinema. But it should not be dismissed based on what seems to be a silly premise of a haunted car.

According to the good folks at IMDB.com, many Plymouth Belvederes gave their lives to make this movie. Ordinarily, I am sad when an old car dies. I love old cars and appreciate their beauty and the dedication to their preservation by their owners.

However, there is little to love about the Plymouth Belvedere (of which the new Fury was a sub-model in 1958). It was not a pretty car. It was a tank and looked like it. The Fury added a fancy trim package, but did little to improve the looks of this family hauler of the Eisenhower years. I’ll not mourn those Belvederes who were injured or killed in the making of this film. Perhaps King chose this ugly car deliberately for as Arnie says, Christine is the only thing he could find uglier than himself.

Christine is another of those film titles that people know right away and has entered our lexicon to a degree. As much as the name Cujo immediately brings to mind rabid dogs, Christine brings to mind haunted cars. It’s another example of King’s work becoming an integral part of our culture.

Christine is great fun and a good movie to be enjoyed for what it is – a monster movie. While it lacks the complexity of the book, John Carpenter took just the right elements of King’s story to make a worthwhile movie, representing King’s work well.

Saturday, November 24, 2012

Christine by Stephen King

Christine
By Stephen King
Copyright 1983


Hell hath no woman like a Fury scorned.

Christine. In horror fans, her name conjures images of red and white tinted Detroit manufactured death. She is two tons of rolling iron with a mean disposition and a short temper. She's also an incredibly jealous lover.

Having thrown his publisher, agent, and fans for a loop in 1982 with a compilation of three mainstream novellas and one semi-supernatural novella in Different Seasons, King returned to the genre that made him famous with his tale of a boy and his car, and their tragic love affair.

Arnie Cunningham is Libertyville High School’s designated loser. Every school must have two, King tells us. One male and one female. They become the dumping ground for frustration and insecurity experienced by every other teenager in the high school.

Unlike most designated losers, Arnie has a friend to keep him from getting worse than he does from the school’s toughs. Dennis Guilder is a football standout, good looking, and a big man on campus. He’s been Arnie’s best (and only) friend since they were little kids. Despite their divergent statuses in the school pecking order, Dennis sticks by Arnie.

On the way home from school one day, riding in Dennis’ Dodge Dart, Arnie screams at Dennis to stop. Arnie has fallen in love at first sight and the object of his ardor is a badly dilapidated 1958 Plymouth Fury sitting in a suburban front yard with a for sale sign on it.

The book is set in 1978, so Christine was 20 years old when Arnie found her and every one of those 20 years was apparent in her appearance. She’s rusted badly. Oil puddles under her block. Dennis takes one look at her (immediately the car is referred to as her) and tells Arnie the car is junk beyond salvation.

As Arnie is admiring his new love, the owner emerges from a rundown tract house and introduces himself as Roland LeBay, U.S. Army retired. LeBay is a foul man with a foul mouth and a foul smelling back brace he wears having incurred injury while in the army. Arnie immediately wants to know the asking price, telling LeBay that whatever he’s asking for it, it’s not enough. LeBay quotes a price of $250. Dennis is astounded, telling LeBay the car is dead and he’s taking advantage of his friend. LeBay dismisses him and takes Arnie’s $25 deposit.

The news that Arnie has purchased a car is greeted with fury (pardon the pun) by his parents who have controlled and dominated Arnie his entire life. When Arnie takes delivery of Christine and drives the backfiring, oil smoke emitting hunk of Detroit iron to his home, his mother forbids him from keeping it at their house. He is forced to take it to a local garage run by the town’s local criminal, Will Darnell, where he rents a repair bay for $20 a week.

Dennis takes an immediate dislike to Christine. The car makes him uncomfortable. He sits in it and the car seems to speak to him. When he stands in front of it, the car’s grille seems to leer at him. Christine is ugly in more ways than her rusted appearance.

Life goes on at Libertyville High School. Dennis plays football and although the team is not very good this year, Dennis is a standout star. He’s got a girlfriend of whom he is fond and is enjoying new vistas of teenage sexuality with her. Arnie has his auto shop classes, chess club, and Christine.

Dennis stops by Darnell’s garage a few weeks after Arnie buys Christine to check on his progress and is immediately struck by the haphazard manner in which Arnie has gone about repairing her. While the engine still drips oil, he’s replaced the broken antenna. There’s new upholstery on the back seat while the rest of the interior remains rotted. And half of the one piece grille has been restored to chrome. The cracks in her expensive to replace wrap around windshield are gone.

A few weeks later, Dennis and the team are playing an away game and Dennis is shocked to see Arnie arrive in Christine, still looking worse for wear, but definitely improved in appearance and performance. So is Arnie. His chronic acne has cleared and he looks more mature. Dennis is even more surprised that Arnie now has a fine looking young lady on his arm. Leigh Cabot is attractive (Dennis is immediately attracted to her) and new at the school. Arnie is now walking with a limp, having injured his back when helping Darnell with some of his cars he claims.

That next week, Arnie reads that Roland LeBay has died. Arnie feels compelled to attend the funeral and Dennis goes with him. After the funeral, Dennis decides to talk to LeBay’s brother who tells Dennis his brother’s ugly life story full of bitterness and hatred. He also tells Dennis Christine’s story. Christine was the culmination of LeBay’s life’s goal: to own a new car and he treasured it. His daughter choked to death in the car and LeBay refused to get rid of it. His wife committed suicide in the car and LeBay hung onto it. Nothing was going to part Roland LeBay and Christine until LeBay was no longer able to get a driver’s license and no longer needed the car.

A few days later, Dennis is going to meet Arnie for lunch outside the school when he finds Arnie cornered by several of the school’s delinquents, led by a tough named Buddy Repperton. Buddy has produced a switch blade and is threatening Arnie with it. Dennis wades into the standoff and confronts Repperton and his friends. Before anything bad happens to Arnie, a teacher arrives and breaks it up. Buddy is expelled and his friends suspended.

Arnie finally presents Christine in her restored grandeur. He takes Dennis for a ride. Dennis notes that the odometer rolls backward. Arnie says there must be a defective cable and it’s just one more of the small repairs he needs to make.

Before Thanksgiving, Dennis is badly injured in a football game. He breaks both legs and has a spinal injury. He is confined to a hospital bed and is out of the picture for several months. Meanwhile, Arnie puts the final touches on Christine, making her look showroom new.

For Arnie, it would seem his life has dramatically improved. His tormenters have been tossed from school. His appearance, like Christine’s has dramatically improved. He’s dating a hotty and has a cherry vintage car. But things are not good.

Arnie’s mother, still peeved over her son’s independence in buying a new car and spending much of his college money on it, refuses to let him keep the car at home. His father buys him a parking pass at the local airport and Arnie is forced to take a 25 minute bus ride to get to his new car. His home life now tense.

One night, he and Leigh are engaged in a heavy petting session at a drive-in movie when Leigh abruptly jumps from the car and runs to the concession stand. She can’t stand being in the car, she tells Arnie. She senses jealousy and resentment from Christine. Arnie dismisses her anger as ridiculous. But when Leigh starts slapping Christine’s dash board Arnie gets mad. Leigh tells him he’s just angry because Leigh’s slapping his other girl.

Other things make Leigh uncomfortable about Christine. Her green, glowing dashboard resembles two malevolent eyes. Her radio plays only vintage rock and roll, no matter where the dial is tuned. Leigh Cabot is quite convinced that Christine has a soul – and evil soul full of jealousy and anger. She visits Dennis in the hospital and confides her concerns to Dennis who is growing more attracted to her. Recalling his own discomfort around Christine, Dennis sympathizes, but is hardly in any position to do anything about it.

One night, while out partying, Buddy Repperton and his friends decide it’s time to exact revenge upon Arnie. They go to the airport and effectively destroy the car, punching holes in her body, cutting up her interior, and smashing her engine. Leigh and Arnie arrive at the airport the next day to find her mangled hulk. Arnie flies into a rage, screaming about the “shitters,” (one of Roland LeBay’s pet pejoratives) who trashed his car. He has it towed back to Darnell's intent on repairing what seems to be irreparable.

Over the next several days, the boys who trashed Christine die violently. One is repeatedly run over on the street. Buddy Repperton and a few of his friends are chased on a snow covered road and forced off where they die in a fiery crash. A police detective drops in on Arnie at Darnell’s where Arnie is doing some mechanical work on her. He has paint samples linking Christine to the crimes while Arnie has air tight alibis for the crimes. What troubles the detective is that Christine’s body, which should have been mangled after the violence she inflicted, is in perfect repair. Arnie denies any knowledge of the crimes and points to his alibis.

Leigh reaches her breaking point when, one afternoon, she starts choking on a hamburger while riding in the Fury. Arnie tries hitting her on the back, but can’t dislodge the clog in her windpipe. A hitchhiker they picked up earlier gives her the Heimlich and saves her life. Convinced that Christine is responsible, she tells Arnie it’s either her or Christine. Leigh won’t ride in the car anymore. Arnie makes his choice and it is Christine.

Dennis is released from the hospital just before Christmas and Leigh comes to visit him. She’s distraught over the breakup and worried about Arnie who has become increasingly bitter toward the entire world. She doesn’t know what to do about Arnie or the car. As the two are talking, they fall into a passionate embrace and kiss deeply. Dennis has fallen in love with his best friend’s ex-girlfriend.

Two days before Christmas, Arnie is arrested in Will Darnell's car, hauling cigarettes without tax stamps into New York from Pennsylvania. He is held in a local jail for a couple days before being released to his parents. The police want to nab Darnell for a host of illegal activities, but Arnie -- much to the consternation of his parents -- won't roll over on his boss.

Dennis decides to spend New Year’s Eve with Arnie to ascertain his friend’s mental state. Arnie seems to lapse back and forth between himself and someone else. He confuses Dick Clark with the long dead Guy Lombardo. Sometimes, during the evening, Arnie acts like an entirely different person. While Arnie is driving Dennis home, Dennis enters his own time warp. Fifties music blares on Christine’s radio as Arnie observes the scene outside. Libertyville appears as it did in the 1950s. He looks beside him at the driver and is horrified to find that the desiccated corpse of Roland LeBay is driving the car. As they approach the Guilder residence, reality as Dennis knows it is restored. The tense, uneasy evening with Arnie is over.

Arnie is confused by his own behavior. He disappears from himself for long periods of time. He’s invented and excuse for his chronically ailing back, but struggles to remember how it really happened. It then comes to him how he pushed the derelict car around the junkyard behind Darnell’s as the odometer slowly rolled backward. Eventually, the engine repaired itself enough to allow him to start it and drive it around the yard for hours as time rolled backward and Christine fixed herself. At first he is horrified. But he finds solace in cruising in Christine who seems to make his unhappy thoughts go away.

Dennis and Leigh meet one evening for a meal and then start making out in Dennis’ car behind a fast food restaurant. Whilst they are liplocked and groping each other, Christine and Arnie stumble across them. Arnie, who made it clear to Dennis he was intent on getting Leigh back, feels horribly betrayed by the only friend he ever had. He leaves after promising revenge.

Dennis and Leigh are now both convinced that they will be Christine’s next target. Dennis talks to Arnie’s dad who is extremely worried about his son who is now completely alien to him. Dennis asks him to let him know if Arnie plans to leave town. It dawns on Arnie’s dad that every time one of Arnie’s enemies is killed, he’s out of town. He promises to let Dennis know. The next day, he calls Dennis to tell him that Arnie and his mother are going to Penn State on a college visitation.

Dennis and Leigh hatch a plan to destroy Christine. Dennis rents a large truck and takes it to Darnell's with Leigh, confident that Christine will seek them out. Dennis is in the truck while Leigh waits by the garage door to shut it once Christine enters. The plan is for her to bolt outside as the door is closing while Dennis jousts with Christine.

It does not go as planned, and Leigh does not get out. Christine enters and Leigh is unprotected. Christine tries several times to run her over and she eventually seeks refuge in the garage office. Meanwhile, Dennis is ramming Christine repeatedly. As Christine moves, she repairs the damage Dennis does. Finally, Dennis is able to corner Christine and repeatedly rams her until her body is knocked off the frame. Still, she tries to repair herself and Dennis goes on ramming until there is little left of Christine but hunks of misshapen metal. She cannot move.

The police and paramedics arrive and Dennis is taken to the hospital, having reinjured his leg. He comes out of his painkiller haze to talk to a detective investigating the case as well as the other deaths, having taken over from Detective Junkins whom Christine disposed of. He tells Dennis that Arnie and his mother were killed in a crash on the Pennsylvania Turnpike and that Christine has been placed in a compactor. He wants to know the whole story. Dennis, unconvinced that the detective will not believe him, tells the whole story. The detective leaves without commenting on the veracity of Dennis’ story.

We find out that Dennis and Leigh go to college together and date for several years before breaking up. Dennis graduates college and now (apparently in 1983) teaches junior high school history. He still exchanges Christmas cards with Leigh who has married and moved to Arizona. One time, he includes a note in her card, asking how she copes with what happened. She writes back that she doesn’t know what Dennis is talking about.

Dennis reads that about a California man run down in a hit and run. He was a native of Libertyville and was the lot attendant who let Buddy Repperton and his friends into the parking lot the night they trashed Christine. Dennis knows that somewhere, in the United States, there is a pristine 1958 Plymouth Fury with non-stock red and white paint, tooling around, spreading evil.

For this novel – perhaps more than any other King novel – I have mixed feelings. There is much to love about it and there is much to criticize.

I loved the story and the characters. The primary source of conflict is a haunted car. But the story could be about anything that creates high emotion and high tension between teenagers and parents in those tumultuous years of high school. In developing this part of the story, King is brilliant. Arnie rebels by buying Christine and his parents hate it because the act is an act of independence and defiance. Also, owning one’s own automobile is a source of independence and often parents have difficulty in extending independence to their progeny.

The conflict between girlfriend and car is also a genuine concept that King develops well. Since kids have owned cars, boyfriends and girlfriends have argued over them. It can be about the particular make and model of the car, the looks of the car, or how much time and money the guy spends with his car. Cars are a source of tension in teenage relationships and King captures this tension brilliantly.

One critic wrote that the characters in this novel were caricatures. I could not disagree more strongly. I found most of the characters, major and minor, to be complex and well developed. Dennis is the hero, but he’s no knight. He steals his best friend’s girl. Arnie develops into a despicable, loathsome creature spewing bitterness at everyone. Yet, the lovable loser inside doesn’t understand what’s happening to him. Arnie’s parents are a dichotomy of emotions that conflict. They love Arnie and recognize their own misbehavior and ill treatment and their weakness that will not let them stop dominating their son. Only the thugs – particularly Buddy Repperton – are thinly developed. The other characters are complex.

Perhaps what’s best about this novel is what King didn’t write. He never wrote from Christine’s point of view. We never know for sure what Christine’s motives are or what her thinking is. The reader comes to understand this from Christine’s independent actions. Writing from the point of view of a sentient car would have taken the novel into foolish places.

The chief weakness of this novel is the shifting point of view of the narrative – and it is a major flaw. The opening paragraphs of Christine make it sound as if we’re going to have Dennis Guilder recount the story for us. It is a first person narrative and is well written. The reader is on board to have the story told in Dennis’ voice.This first person narrative goes on for approximately the first third of the book.

But after Dennis is taken out of action by the football accident, the narrative switches to third person from the points of view of Arnie, Leigh, Will Darnell, Arnie’s mother, and others. There is a huge, gaping seam in this transition that is disconcerting. When Arnie reenters the picture, the narrative returns to the first person narrative and the book closes as if it was Dennis’ story to tell when one third of the story was told from the points of view of others. That’s cheating for a writer.

The other major criticism I have is the cheap, easy way Arnie died. He didn’t go out a tragic figure, taken over by the evil spirit of Roland LeBay and his car. The evil spirit of Roland LeBay lurks in everything that Arnie does and everything that happens to Arnie. Christine is the central figure in Arnie’s life. Yet, as the climax of the book is unfolding, Arnie is unceremoniously killed in a random car accident. His death was a throwaway sentence uttered by an unimportant character. King made us feel sorry for Arnie; made us care for him. Then he disposed of him cheaply.

In his canon of work, I would place Christine as above average, but not among his best work. King was on a creative roll when he wrote Christine and his stories were pure horror. While the story was better and deeper than Cujo, it did not quite measure up to the emotion that was in Pet Sematary which were also written in this same period of time.

While I’d not rank it with his greatest work, for even the casual Stephen King fan, I’d call it a must read.

Thursday, December 16, 2010

Book to Movie: Cat’s Eye (1985)


Book to Movie: Cat’s Eye (1985)
Screenplay by Stephen King
Directed by Lewis Teague

Two stories from King’s first collection of short stories, Night Shift are adapted in this anthology. The first is Quitters, Inc. The second is The Ledge. The movie wraps up with an original screen vignette.

The movie is set against the backdrop of the travels of a stray cat. In the movie’s opening credits, the cat is chased by Cujo, nearly run over by Christine, before he ends up in a moving van that takes him into the city. There, he hears the voice of a young girl (Drew Barrymore) beckoning him to help save her from the monster that inhabits her bedroom.

As they cat sees the image of the young girl in a television in a show room window, he is snatched up and placed in a cage. He is delivered to the offices of Quitters, Inc.

James Woods and his buddy pull up out front and Woods’ buddy drops him off to begin his trek toward being tobacco free. The story closely follows the short story from this point. The cat is used as the object in the torture demonstration.

Woods character has a tougher time with the quitting on screen than in the book. At one point, at a party, he begins to hallucinate. Just as in the story, he backslides and his wife is brought in for torture. A skirmish ensues and as Woods battles to stop his wife’s torture, the cat escapes the lab. Woods surrenders as the torture ends.

The final sequence ends with the same exclamation point as the story.

The cat then makes his way to a casino where two men, in a gambling haze, wager as to whether or not the cat can make it across the road. The coax the cat who successfully crosses the street, but not before causing a traffic accident. The cat is then scooped up by one of the high rollers and taken to the penthouse suite of the man with the ledge.

The vignette of The Ledge is essentially the same story as in the book. The tennis pro (played by Robert Hays of Airplane!) is forced to traverse the ledge around the building to win the gambler’s wife and $20,000. The plot twist is a bit more graphic than in the story, but the end is the same. The pro overpowers the bodyguard and forces the gambler out onto the ledge, where he is forced to walk. . .

As the men battle for control of the gun in the penthouse apartment, the cat escapes and makes it to suburbia. There, a young girl is being stalked by a spear-wielding troll who wants to suck the breath – and the life – out of young Drew Barrymore. This is very much in the keeping with the old wives’ tale of how a cat will suck the breath out of a baby.

Barrymore’s parents let her keep the cat, but he doesn’t get to sleep inside. Nonetheless, when the troll launches his first attack on Barrymore, the cat gets in a window and is able to ward off the troll. On his way out, the troll kills the girl’s pet parakeet for which the cat receives the blame. Despite being cast out of the house by the parents, he is there to fight the final battle with the troll to save Drew Barrymore.

The movie ends with the cat peacefully passing the days in suburbia.

This was one of King’s early efforts at a screenplay and he did a splendid job of adapting his stories to the big screen. The took on the quality of a comic book horror story much as his stories in Creepshow.

King clearly understands how to write for the visual medium. Like with his books, sometimes the stories leave a lot to be desired. Witness Sleepwalkers and Maximum Overdrive. More often than not, he hits the mark as he did here.